This was our 13th year attending the wonderful St. Louis Tionól! We look forward to it every year.
I have several videos to upload from our Friday night performance so I’ll be back with those once more pressing household responsibilities have been attended to but in the meantime I leave you with some photos from our weekend.
Here we are walking to my favorite event of the weekend, the Sunday morning brunch/session at McGurk’s.
I really love this panoramic shot that Joe got at the session. I have known, loved, and played music with many of these good people for years and years now.
The kids’ favorite part of the trip is having special grandparent time in St. Louis while Joe and I are busy with music but on the way home, we also had a memorable day together at the fantastic St. Louis Zoo. This zoo is a world leader in global conservation efforts.
We eagerly await our 14th Tionól in April 2019!
I didn’t know what to expect.
I’ve sat in on touring shows before but never for a band that lit up the soundtrack of my childhood.
Here’s what I learned from being lucky enough to serve as a violinist in the Dave Eggar Orchestra for two tour stops of the Foreigner Orchestral Tour: kindness begets curiosity about the stories of others which in turn begets enthusiasm. The result is an energetic, joyful experience with a high level of excellence and the capacity to touch hearts.
Credit for creating a positive working environment is due to Dave Eggar and Chuck Palmer who arranged the orchestral parts and fostered an environment of fun and mutual respect in their music director/conductor roles. Every person in Foreigner also made real efforts to connect with all of the other musicians, including those of us who were only there for a short stint of the tour.
This tour was the answer to all of the hundreds of times in my life I have scream-sang “I want to know what love is…!”
I will always look back on this as an example of the magic that transpires when people set out mindfully to lead with love.
Top left: Kelly Hansen from the band Foreigner rocks out at the Sioux City Orpheum accompanied by the Dave Eggar Orchestra conducted by Chuck Palmer.
Top right: A radiant backstage photo of Iowa musicians Matt Manweiler, Marita May, Caitlin Thom, Natalie Brown, Maggie Williams, Kristian Svennevig (and me) and touring musicians Evie Andrus and Katie Jacoby.
Bottom: my fellow University of Iowa alum Natalie Brown and myself or, as Natalie has dubbed us, “Iowa City’s own rock fiddle chicks!”
In what has become an annual tradition and also in the spirit of not throwing the baby out with the bathwater (by which I mean green beer, does a more apt analogy exist?), I give you a poem that has had a lifelong influence on me:
Patrick’s Rune, origin anonymous, translated by James Clarence Mangan.
At Tara to-day in this fateful hour
I place all Heaven with its power,
And the sun with its brightness,
And the snow with its whiteness,
And fire with all the strength it hath,
And lightning with its rapid wrath,
And the winds with their swiftness along their path,
And the sea with its deepness,
And the rocks with their steepness,
And the earth with its starkness:
All these I place,
By God’s almighty help and grace,
Between myself and the powers of darkness.
I’ll never be able to get behind missionary work when conversion is the goal and so I’ll never with a whole heart be able to celebrate the traditional legacy of St. Patrick (although credit is due for his efforts to incorporate Druidic traditions). Beyond any misgivings, I am divinely inspired by any image of the light that the darkness has not, shall not overcome.
I discovered “Patrick’s Rune” as a child in my first reading of The Swiftly Tilting Planet, from Madeline L’Engle’s Time Quintet. The poem is woven through the entire book so it’s impossible to miss and it starts with my name so my attraction to it was inevitable.
I like that the assumption of the poem is that all of nature is powered by goodness. I believe this to be true. I like that the poem does not pretend that evil does not exist because we also know this to be true.
I’ll need you to remind me of this. I’ll remind you too.
Happy St. Patrick’s Day. Come celebrate with us.
Our second very special guest on Saturday for our St. Patrick’s Day show at the Sanctuary Pub in Iowa City is no stranger to the traditional Irish music scene in eastern Iowa and was really the engine that kept The Beggarmen running all those many years in his multiple capacities of drummer, singer, sound technician, and first-string parent on call.
My husband, Joe Dutcher. He keeps me steady in music and in life.
Keith and I are looking forward to playing for you at The Sanctuary for our St. Patrick’s Day show and we are very lucky to be joined by two of our very favorite musicians.
Today I will be crowing about Frank Claudy and how happy we are that he will be with us. Check back for our other artist profile in the next few days.
As anyone who loves traditional Irish music must surely know, Frank Claudy is a flute and tin whistle player originally from Washington, D.C. who has been sharing his beautiful music and rich expertise not only in the Quad-Cities of Iowa and Illinois where he has made his home but also on the teaching staff at the Catskills Irish Arts Week for many years.
You have very likely heard Frank playing for céilís and local festivals with Keith, piper Jon Cooper (who joined us on our 2017 album Folk Songs You Never Sang in Grade School), and fiddler Guy Drollinger as The Quad Cities Céilí Band and The Big River Reeltime Band.
Most of my interaction with Frank in the past has been when I’ve been delighted to find myself playing alongside him at various Irish sessions through the years. I’m going to tell you something about Frank that I don’t think I’ve ever shared with him: I can think of no other album that has transformed my understanding of and devotion to traditional Irish music more than Frank’s 2010 album The Pretty Blue Seagull with Paul De Grae, Patrick O’Dea, and Anne & Joe Skelton. It is the finest and most authentic modern collection of recordings of tunes from the historic and enduring O’Neill collection and an album that I continue to find myself reaching for when I want to be transported by a rush of how much I love and respect traditional Irish music.
Keith and I dearly hope that Frank’s retirement at the end of February from his position as Physician Advisor for the Genesis Health System (no slouch, this fellow) means that we will have many more chances to play together in the future.
If you’d like a taste of what it means to be transported by music as I have often been by Frank, don’t miss us at The Sanctuary this Saturday, March 17 from 5-7 pm.
We have secured for you a cozy, delicious and television-free way to enjoy Irish music on St. Patrick’s Day. Music, food, drinks, and friends. Nothing could be better.
Please join us!
I’m so pleased to be a part of another Burns Night at the Trumpet Blossom on Friday, January 26 at 8 pm. We gather to celebrate the life of Robert Burns, Scotland’s national poet, who was born 259 years and one day before our event and designated as “The Greatest Scot” by STV in 2009.
As my eldest Liam observed: “Wow, he’s super dead.”
Indeed he is and yet his work lives on!
Music by David MacLeod Burt and Craig Klocke, Ed Raber, Keith Reins, and myself and readings by Tembi Bergin-Batten, David MacLeod Burt, Kassia Scott and Jeff Biggers.
Free and open to the public! Come early to treat yourself to a tasty meal and to stake your place for a fun evening.